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- Professional processing.

- Musical production for projects.

- Mixing.
- Mastering.
- Musicians and programmers for various projects and online recordings.
- Post-production and sound for video and commercials, original music for video and computer games.
- Playbacks and playback with or without real musicians for original song or song
- Professional audio editing and sound and audio repairs, forgeries, noise, sound improvement, and court clearance.
- Production, composing, and editing in MIDI for all styles and tools with the best VST’s selection in the world.
- Composing.
- Playbacks for videos, presentations, songs, and playbacks for birthdays, weddings, graduation parties.
- Dubbing and narration with announcers from abroad in all languages

- Live recording and sound at outdoor venues, live concerts

- Personal technician for recording, a specialist in drums, guitars, bass, acoustic instruments, orchestral, live bands, vocals and singers, outdoor recording, and many more.

I'm producing singles and albums with advice and guidance throughout the process to beginner bands, experienced or less experienced artists.

- How to start your way in the music world?
- Copyrights?
- How and when should a musician start exposing his own materials?

- Honest and sincere guiding for all musicians about processing and the procedures of working in a studio since a young age?

All this and more with dedicated and professional accompaniment.

Samples can be found here

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Music Producer ,Guitar Player ,Teacher, Multi-Instrumentalist, Sound Designer ,Mixing And Recording Engineer , PC And Mac Services


Amit is a professional in all kinds of Guitars, Music Theory, Music Production, Recording, and Mixing. He also has much experience in Bass Guitar, Drums, and Keyboards.

Amit has and still been a music teacher and band manager for more than 13 years.

Amit worked and still works with Maayan Bukris, Benaya Porat, Coral Bismuth, Ben Blackwell, Deusphera, Yoad Shoshani, DrumBite, Rinat Cohen, Yehuda Regev, Lonely Pop Junky, YVEL Jewellery, Barak and Amir Aharon, Avi Ifrach, Tomer Zidkyahu, Yogev Shitrit, Tal Medyuni, Tamarak USA and many more.

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Short interview by LEWITT Audio

How did you get into home recording? 

Starting at age 15, I had a small recording setup in my room. I’m a guitar player, and I record and produce music on my own with VST’s and DAW’s, recording amps, vocals, acoustic guitars, and more. After a while, I thought it was magical and a lot of fun to create and produce music, so I also started to do it for others. Since then it only got bigger and bigger.

Would you rather see yourself as a musician or engineer?

I’m a musician. I’m a guitarist, and this will always be my first priority. Thinking about music theory and technical aspects, which instruments and how it can be used, also which musician, or how to get the most from the artist that I’m working with. Then I’ll think about microphones and preamps and stuff like that. After many years of experience, I can also put myself into the engineer’s position and see how I can make the best from what I’ve got, regarding the working condition, budget, skill level, and more. With the technology that we have these days, we can create something new and fresh, even when something doesn’t sound as good.

Any quick advice for people who are just starting?

Don’t compare yourself to anyone else. Just learn from everyone, if it’s tips and tricks, techniques, or even a different way of thinking. Incorporate that into your own ways and workflow. Gear is nice, but knowledge is better. People with experience and high skills impress me more than some guy that has a huge Neve console and 30 pieces of fancy outboard gear. Make sure your workplace is easy to use and make the best out of that.

I highly recommend sticking to one DAW that you like rather than some other DAW that all your friends use. Also get the interface and monitors again that you prefer, after listening to it in your environment or in the store and install a microphone that’s always ready for action. That way, you can press record anytime you want, without spending time connecting gear and fixing possible issues. You’ll be amazed at how much more productive you can be, and how many more of your recordings you’re doing with that mic will still be in your project during the final mix.

What future plans do you have with your space?

I want to have a bigger live room. My control room is pretty cool, but my live room is small, even though I get amazing results with anything that I’m recording there. I’m using the microphones that I know will work, and sometimes I’ll try a different preamp or go straight into the audio interface. I want to do more live recording with a whole band inside the room, recording audio, and video at the same time. I think this has become much more popular and attractive, especially with YouTube and other live streaming services.

Full Article –

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